June 28, 2012
It's hard to believe that what started with a single panel has now grown to become the world's largest work of living folk art, now 48,000 panels and counting. The AIDS Memorial Quilt is now an enormous 1.3 million square feet (50 miles) and 54 tons, making it no longer possible to display in a single location all at once.
Bringing all 48,000 panels of The Quilt to Washington this summer is no small task, as noted in USA Today just last Friday, but The NAMES Project Foundation -- 17,000 staff and volunteer hours later -- is doing just that. We will see the first part of The Quilt starting this week, with the Smithsonian Folklife Festival kicking off on Wednesday, June 27.
In order to make all 48,000 panels available for the public to see in Washington, D.C., this summer, it will take more than 60 distinct displays in numerous locations over the course of 31 days:
First up: "Creativity and Crisis" at the Smithsonian Folklife Festival. The Smithsonian Center for Folklife and Cultural Heritage and the NAMES Project have developed the 10-day program to let the public experience how art brings people together to grieve, heal, and educate in the age of HIV/AIDS. Each day, panels from The Quilt will be unfolded for display, then folded back up at the end of the day to make room for the next day's panels. Inside the Festival's tents, there will be a wide variety of interactive programs that encourage visitors to engage with the Quilt. For example, in one tent, Quilt makers and artisans will be on hand to guide participants through making their own Quilt panel or contributing to one already in progress. Another tent will take visitors back to Market Street, San Francisco, 1987, where the Quilt began. Theatrical performances, dances, and oral story telling presentations throughout the Festival show how other art forms have been inspired by The Quilt and AIDS epidemic. A schedule of events is available online.
Also at the Festival, for the first time the Digital Quilt will be available to the public on large touch screens. In addition to browsing images of each panel with the touch of a finger, visitors can contribute stories and comments, enriching The Quilt in real time, and a mobile web app will allow visitors to locate specific panels in D.C. The digitization of The Quilt will transform the longest running folk art piece into a social, crowd sourced project.
There are still many opportunities to get involved with The Quilt this summer whether you live in Washington or elsewhere. Updated information about The Quilt's return to the nation's capital and related events can be found at Quilt2012.org.